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Andrea Polli 's art work resides in the intersection between art and science, and she has developed projects related to perception and cognition, complexity science, and human behavior. Her projects are hybrids that feed into multiple areas of research and her work often offers new 'readings' of data produced by natural systems that bring to light unfamiliar aspects of the information. Andrea Polli is a digital media artist living in New York City. She is currently an Associate Professor of Film and Media at Hunter College. Polli's work addresses issues related to science and technology in contemporary society. Her projects often bring together artists and scientists from various disciplines. She has exhibited, performed, and lectured nationally and internationally
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She is currently working in collaboration with meteorological scientists to develop systems for understanding storms and climate through sound. For this work, she has been recognized by the UNESCO Digital Arts Award 2003 and has presented work in the 2004 Ogaki Biennale in Gifu, Japan and at the World Summit on the Information Society in Geneva, Switzerland. Her work in this area has also been presented at Cybersonica at the ICA in London and awardedfunding from the New York City Department of Cultural Affairs and the Greenwall Foundation. As a member of the steering committee for New York 2050, a wide-reaching project envisioning the future of the New York City region, she is currently working with city planners, environmental scientists, historians and other experts to look at the impact of climate on the future of human life both locally and globally.
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She has recently presented the installation and digital print project The Fly's Eye, (2002) which creates a live movement and light analysis and deconstruction of the video image, at Le Centre de production DAÏMÕN in Quebec, the Politecnico di Milano University in Milan, Italy, at The Kunstgewerbe Museum in Berlin, Germany, at The Aronoff Center in Cincinnati, OH, at Apex Gallery in New York City, at the V Salón y Coloquio Internacional de Arte Digital in Havana, Cuba, and at SIGGRAPH '03 in San Diego among other venues. - IMAGE DESCRIPTION - 1. 'The Fly's Eye' lighting analysis of Bunuel's Un Chien Andalou. 2, 3 and 4 are movement portraits using 'The Fly's Eye' custom system.
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