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Claudia VIEIRA
Page 1 | Biography
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Garden of Delights/ARCHITECTURAL TOPOGRAPHIES
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Architectural Topographies [2002-present] is an ongoing project that records the lived experience of time and space. It examines the relationship of individuals to our environment through a series of site-specific spatial meditations that integrate drawing, architecture, video and performance. Since 2001 I’ve been using a single visual element: one continuous line. Conceptually each project is a segment of the larger meta-LINE that extends through [my] life. I work with space as material being it architectural, urban or natural.
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waterLINE: NY-UTICA. (4) Drawing environment+DVD
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The line extended itself in a spiraling movement around the shape of the Hudson and Mohawk Rivers in the extension between NYC and Sculpture Space in Utica (NY); (5) corner view; (6) floor entrance detail (7) floor close-up and (8) still from video-drawing. DVD, B&W, 3min., incidental sound, (edited version) continuous line recording done in an airplane flying @1000 feet. Total time of recording: 2 hours.
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bklnLINE, permanent marker on rotating wall, 2008
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koan after undoing,drawing-environment-performance
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underLINE: KYOTO, DVD, 8min in loop, Japan, 2004.
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The directness and meditative qualities of drawing allow me to explore ways of interacting with the viewer in order to intensify the awareness of the surrounding space. It is a particular conception of drawing which is not the sketch of an idea or a representation of an object, but rather, in the very event of its generation, a record of lived time.
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This particular conception of drawing is essentially, a record of lived time. Through the work I assert life itself as I continually draw one line that ends up encompassing the entire place, collapsing notions of perspective, scale, interior and exterior opening a space for the viewers to experience a full moment of self awareness.
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underLINE
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“Through this intentional being, Vieira opens an heterotopic space for mutual occupation by the public and herself. Her seemingly simple rule of equidistant line vibrates, turning an ordinary space into a complex vertiginous space that surrounds and absorbs us, where the two dimensional, three-dimensional and four-dimensional intertwine. A simultaneous articulation and dis-articulation of space, the work superimposes extremes of scale from the real dimensions of our bodies in space to the tectonic scale of geographic satellite imagery. “ - G. G.
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