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Julia Dogra-Brazell

Page 1 | Biography | Information & News


(Before I Left (2010)
(Before I Left (2010)



Julia Dogra-Brazell (ICA, London 1999):

'When we stand before art, unable to choose between equally possible yet mutually contradicting narrative explanations, these narratives do not cancel each other out. They suggest a pregnant silence replete with all time and meaning and possibility of renewal. This is perhaps the silence Blanchot knew, a kind of silence that is the flip-side of an incessant and cacophonous roar whose only echo reiterates ‘it never happened, never for a first time, and yet it starts over, again, again infinitely. It is without end, without beginning. It is without future.’
Urschrift (2013)
Urschrift (2013)






Plot (2006)
Plot (2006)
From A to B (2014)
From A to B (2014)
Before  Left (2010)
Before Left (2010)

Julia Dogra-Brazell studied literature at London and Cambridge Universities in the early eighties and, in the late nineties, when at Central St. Martins School of Art and Design, shifted an acquired interest in storytelling, poetry, history and memory to the context of visual culture. She has produced photographic series and audio works as well as short experimental films. Earlier films can be accessed in the British Artists Film and Video Study Collection and are referenced on the BFI Film Archive and British Council Film Directory.

Programmes of Dogra-Brazell's work were featured in the USA and Tokyo in 2015-16. Her film, The Rules of the Game(2015), was nominated for an award at the 14th London Short Film Festival in 2017.

Dogra-Brazell is currently working on a series of short films that are self-contained, flexible units that, over time and as they proliferate, can be brought together in different configurations. In terms of screening, this means that ‘new’ films can be built from units by an invited 'guest'. The parameters are kept wide. Units can be shown individually, built into a single structure or can take the form of expanded cinema with multiple screens.


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