Adam Ball

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Kanneliya, 2011
Hand cut white felt, LED lights, Perspex box, 190 x 130 x 12 cm

The starting point of this work is taken from the Palm Oil plantations in Sri Lanka highlighting the balance and equilibrium within the surrounding rainforest. In the fight between the natural habitat and the commercialisation of land, areas of harmonisation and coexistence exist. It is these places of apparent spiritual silence that the work echoes. A moment in time is faithfully recreated and preserved in a hand cut work, which glows to reflect the energy and light of an ephemeral, tranquil world.
Compress 2011 (detail) hand cut paper, 155 x 190cm
Compress 2011 (detail) hand cut paper, 155 x 190cm
Born in 1977, Adam lives and works in London and has exhibited in galleries internationally, including Gagosian Gallery, NYC; Paul Kasmin Gallery, NYC; Goss-Michael Foundation, Dallas; Galerie Laurent Mueller, Paris; The Jerwood Space, London; Institute of Contemporary Arts (ICA), London and Centre for Contemporary Arts (CCA), Glasgow.

Since the installation in 2002, of a 10 metre high painting in London’s Golden Square, solo exhibitions include: Dirty Pattern, Paul Kasmin Gallery, NYC; Graffiti Love, Goss-Michael Foundation, Dallas; In the Beginning, Shizaru Gallery, London and Coexistence, Galerie Laurent Mueller, Paris. In 2009 a series of work was created for New York Fashion Week and exhibited at Gagosian Gallery, NY and Paul Kasmin Gallery, NY.

Group exhibitions include: Re:Define, Goss-Michael Foundation, Dallas; Duet, Galleria Xavier Fiol, Palma; ARCO Madrid; ArteFiera Bologna, Italy; This is London, Shizaru Gallery, London; Spectra, Londonewcastle Project Space, London and The House of the Nobleman, Regent’s Park during Frieze.
Adam Ball
London
United Kingdom
Europe

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Goss-Michael Foundation, US
Paul Kasmin Gallery, NY
Elle Decor, Adam Ball, 10.2006
Times Magazine, Trunk Calling, 24.08.2002
Gagosian Gallery installation video