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Galerie Christian Lethert, Cologne
30 October - 19 December, 2015
Have you just entered a gallery or are you in the midst of a circus stage? Will the molecule-like construction start rotating or will one of Krebber’s other objects come alive in the next minutes and jump through these rings? Curiosity and horror, repulsion and attraction, the physical and the fantastic intermingle in the room. Lurking in the background is a subtle, tension-filled disturbance - as if something “un-dead” might come to life immediately.
studio 1.1, London
5 - 29 November, 2015
...a painting of a painting leaning. Self circular, the items in the foreground, the jar of turps and brushes, the paint tube, the sketchbook were sitting like that on my studio floor in front of the painting as I was painting them, and then within the picture within the picture they are there separated, and painted as preparatory drawings pinned to the wall. The painting on the right in contrast, drawn out. Featuring two more paintings, the painter showing up for the only time in any of these pictures, it is me of course, but headless, or somehow my head lost in the cloud in the painting behind.
WMA Commission 2015/16 - IDENTITY
Deadline: January 15.2016
The WMA Commission invites entries for proposals from artists and photographers from both Hong Kong and the international
community. The Commission recipient will be invited to create new photo-based work in Hong Kong, focusing on the theme of
IDENTITY. Project proposals must contextually relate to both the theme IDENTITY and to HONG KONG. A four-member Selection
Panel will choose the WMA Commission recipient, who will be awarded a HKD$250,000 grant which will contribute towards production
of the successful proposal and a public event featuring the completed work. The call for proposals is open to all local and
international applicants. The WMA Commission is a part of the WYNG Masters Award programme.
MAUREEN PALEY, London
12 October - 22 November, 2015
A truly isolated investigator is impossible (...). An isolated investigator without bias and tradition, without forces of
mental society acting upon him, and without the effect of the evolution of that society, would be blind and thoughtless. Thinking
is a collective activity (...). Its product is a certain picture, which is visible only to anybody who takes part in this social
activity, or a thought which is also clear to the members of the collective only. What we do think and how we do see depends on
the thought-collective to which we belong - Ludwik Fleck, 1935