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100 Tonson Gallery: GENTLE WAR
Peggy Wauters and Nir Segal - Curated by Brian Curtin
- 19 June 2014 to 10 Aug 2014

Current Exhibition


19 June 2014 to 10 Aug 2014
Open Hours: Thursday - Sunday 11 am. - 7pm.
100 Tonson Gallery
100 Soi Tonson, Ploenchit Rd., Lumpini
Pathumwan
10330
Bangkok
Thailand
Asia
T: (+662) 684 1527
F: (+662) 254 7227
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W: 100tonsongallery.com











GENTLE WAR
Peggy Wauters and Nir Segal - Curated by Brian Curtin
100 Tonson Gallery
12


Artists in this exhibition: Peggy Wauters, Nir Segal


GENTLE WAR
Peggy Wauters and Nir Segal
Curated by Brian Curtin

19 June – 10 August 2014
Opening Reception: Thursday June 19 2014 at 7 pm onward

100 Tonson Gallery is very pleased to announce a unique pairing of Peggy Wauters and Nir Segal, visual artists based in Belgium and Israel respectively. The gallery welcomes back Wauters after her very successful solo show with us in 2009. And Segal held a well-regarded exhibition at Thailand’s National Gallery in 2010, in collaboration of Israeli Embassy and 100 Tonson Gallery.

Gentle War is a curatorial project that highlights the artists’ methods. Wauters intricately crafts objects and collages derived from mythological symbolism and Segal appropriates functional materials from everyday life. Both artists are engaged in processes of isolating and studying the resonances of their forms in order to further explore significance for the contemporary context. Wauters is inspired by the carnival culture of her hometown and her works carry a disturbing quality, reflecting collective superstitions and otherworldly beliefs. Segal is interested in the absence of narrative for disposable materials that can function across a range of contexts, which he examines for the potential to weave associations and imbue meanings. His references include the makeshift camps of recent Thai street protests and domestic life.

The title of this exhibition, Gentle War, reflects the artists’ struggles to wrest new meanings from their objects: between Wauters use of culturally entrenched symbolism to Segal’s introduction of different ways of seeing and thinking about the overlooked or disregarded. Moreover, certain violence is hinted at: from physical mutation to the potent challenges to what we think we might already know.




100 Tonson Gallery






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