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Blum & Poe : Chuck Close
Matt Saunders - China in Nixon
- 29 Oct 2011 to 22 Dec 2011

Current Exhibition

29 Oct 2011 to 22 Dec 2011
Hours -Tuesday - Saturday from 10:30 am to 6 pm
Blum & Poe
2727 S. La Cienega Blvd
CA 90034
Los Angeles, CA
North America
T: +1 (310) 836-2062
F: +1 (310) 836-2104

Chuck Close, Self-Portrait I, 2010, oil on canvas, 36 x 30 inches
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Artists in this exhibition: Chuck Close, Matt Saunders

Chuck Close

October 29 - December 22, 2011
Opening reception: Saturday, October 29, 6-8pm

Blum & Poe is very pleased to present new paintings, prints, and tapestries by Chuck Close. This landmark exhibition is Close's first one-person show with Blum & Poe and represents the most significant body of work assembled in Los Angeles in sixteen years. Featured will be new large-scale oil paintings of artists Kara Walker, Laurie Anderson, and Zhang Huan; works from Close's ongoing self-portrait series; intimately scaled portraits of musician Paul Simon and arts patron Agnes Gund; a collection of prints; and immaculately crafted Belgian Jacquard tapestries. The exhibition offers a unique opportunity for viewers to experience Close's stylistic range and technical capacity, while providing a deeper understanding of the human portrait.

Close's nearly 50-year exploration of the human portrait is staggering in its breadth and level of dedication. Rather than landscapes or everyday urban scenes, Close has focused on his own image and those of his peers, differentiating his practice from photorealistic painters. His early paintings were predominantly large-scale and executed in acrylic on canvas. He has since evolved a process whereby these portraits begin as photographs, which are enlarged, transferred, and gridded on the canvas, allowing Close to work with his brush meticulously inch by inch.

Close moves freely between painting, photography (both analog and digital), numerous modes of printmaking and drawing, and most recently the art of Belgian Jacquard tapestry weaving. In an effort to capture his subject's essence, Close has become fluent in myriad techniques, both traditional and exploratory. In 1972, his artistic practice extended beyond the canvas with an introduction to printmaking at San Francisco's Crown Point Press. Following that collaboration, Close endeavored to expand his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conté crayon, finger painting, and stamp-pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries. His astonishing proficiency in a diverse range of media has firmly defined each new body of work as unique and progressive for its time.

Chuck Close (b. 1940, Monroe, WA) lives and works in New York. He received his B.A. from the University of Washington, Seattle and his B.F.A and M.F.A. from Yale University School of Art and Architecture. Throughout his distinguished career, he has been the recipient of many honors, such as the American Academy and Institute of Arts and Letters Award in Art (1991), election to Fellow of The American Academy of Arts and Sciences (1998), and the National Medal of Arts from President Clinton (2000). He has been honored with numerous retrospectives, including Close Portraits, held at the Walker Art Center, Minneapolis (1980-81), which traveled to the Whitney Museum of American Art, New York; Retrospektive, at Staatliche Kunsthalle, Baden-Baden (1994), later presented at the Lenbauchhaus Stadtische Galerie, Munich; and most importantly Chuck Close, held at the Museum of Modern Art, New York (1989-99), which traveled to the Museum of Contemporary Art, Chicago, Hirshhorn Museum and Sculpture Garden, Washington, D.C., Seattle Art Museum, and Hayward Gallery, London. Close's work is in the permanent collection of over 70 public institutions worldwide, including the Art Institute of Chicago; Carnegie Museum of Art, Pittsburgh; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Hiroshima City Museum of Contemporary Art, Japan; Kunsthaus Zurich, Switzerland; Metropolitan Museum of Art, New York; Musée National d'Art Moderne, Centre Georges Pompidou, Paris; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Tate Gallery, London; and Walker Art Center, Minneapolis, amongst many others

Matt Saunders
China in Nixon

November 11 - December 22, 2011
Opening reception: Saturday, November 12, 6-8pm

Blum & Poe is very pleased to present China in Nixon, Matt Saunders' first solo exhibition in Los Angeles and his first with Blum & Poe. For this exhibition, Saunders presents two interrelated bodies of work: large-scale unique photographic prints produced from hand-painted "negatives" and a new animated video made from thousands of individual ink drawings on Mylar.

Beginning as oil paintings on stretched linen, Saunders then uses these canvases as "negatives" in the darkroom, passing light through them to expose large sheets of photographic paper. The photographs capture and transform the image as the emulsion registers such qualities as transparency, thickness, and shifting depth of field. The use of hand-applied chemistry expands the dialogue between images and the materials and processes that produce them. Drawing from a wide range of subjects - notably the recently deceased British television star (and Los Angeles transplant) Patrick McGoohan and early Danish silent film star Asta Nielsen - Saunders' photographs serve as ersatz paintings in a portrait gallery of homage and association.

Similarly rich and unsettling are Saunders' short animations. Appropriating fragments of film, television, and historical footage, Saunders precariously balances the image with materials, creating flickering passages of constant change. The use of drawing, painting, and photographic techniques to create both still and moving imagery allows Saunders' work to operate outside of conventional media specificity. This hybrid practice merges the emphatic power of the individual image with the fleet ambiguity of the artist's process. The works in China in Nixon present a vision both ghost-like and bluntly material. The photographic and hand-drawn processes do not so much record the images as re-form them. Moving or still, pictures can seem irradiated, willfully uncertain and surely unstable.

Matt Saunders (b. 1975, Tacoma, Washington) received his B.A. in Visual and Environmental Studies from Harvard, where he is currently a visiting professor, and his M.F.A. in painting and printmaking from Yale. Saunders lives and works in Berlin and Cambridge, MA. He has exhibited widely, including solo exhibitions at Marian Goodman Gallery, Paris; the Renaissance Society, Chicago; Harris Lieberman, New York; and has been included in group exhibitions at the San Francisco Museum of Modern Art and the Deutsche Guggenheim, Berlin. Saunders' work is in numerous public collections, including the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; San Francisco Museum of Modern Art; UCLA Hammer Museum, Los Angeles; Yale University Art Gallery, New Haven, CT; and the Fogg Art Museum, Cambridge, MA. Saunders' animated video Mirror Lamp will be presented on a 7000-square-foot projection wall of the New World Center as a part of this year's public video program at Art Basel Miami Beach.

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