Cell Project Space: A Partition - Josh Bitelli - 29 Apr 2016 to 12 June 2016
Josh Bitelli, 2016
Private View 28th April 2016, 6-9pm
April 29th - June12th
Thursday - Sunday, 12 - 6pm
Curated by Rebecca Lewin
With A Programme of Events at The Old Operating Theatre
This project will take place at Cell Project Space in Bethnal Green and at The Old Operating Theatre in Southwark. A new video work by Josh Bitelli will occupy the exhibition space at Cell, with a series of events initiated by Rebecca Lewin will take place concurrently in the historic spaces of The Old Operating Theatre, with contributions from Sidsel Meineche Hansen, Nils Norman and others.
The title of this project, A Partition, is taken from Michel Serres’ seminal text The Parasite. In it, Serres proposes the parasite as a metaphor for human interaction. Rather than an insidious entity, Serres reappraises it as important due to its ability to profoundly affect the behaviours of the people and places surrounding it. Considered as such, the parasite is a key agent in social and economic relations and a crucial catalyst in their evolution. The notion of an individual becoming a partition - that is to say, something separate from these systems - is suggested by Serres as a form of protest.
The two locations of this project have been chosen as contrasting forms of institution, sites that respond to the relationship between the individual and the collective, or social, body. The possibility of the artist becoming a partition - a focal point that reveals and unpicks the transactional exchanges that surround their practice - will be explored both in the form of an exhibition and in events accompanying it.
Bitelli’s new video work presents a combination of scripted and improvised actions performed by a group of healthcare professionals. As each set of verbal and physical actions is learned and performed, it also begins to disintegrate, drawing attention to the performance of learned knowledge prescribed and proscribed by systems of care. Revealing the mechanism of its own production, the film proposes a displacement of authorship that acknowledges the institution without demanding to be located within or without its structures.
In response to the idea of the parasite as a metaphor for human interaction, Hansen has invited Nils Norman to discuss two group-based projects: Norman’s Parasite (1997-8), which was a self-organised activity that piggybacked specific art institutional infrastructures in exchange for content provision; and the group-based piece CULTURAL CAPITAL COOPERATIVE OBJECT #1 (2016), which is part of Hansen’s show at Gasworks until 29 May.
Josh Bitelli recently presented a new performance for The Chisenhale Gallery’s 21st Century programme in February this year. Solo projects include ‘LimescaleTea' at tank.tv, London; 'To Gaze at Ten Suns Shining’ (with Sarah Abu Abdallah) at POOL, Hamburg (both 2015). Recent group shows include 'CO-WORKERS – Network as Artist', Musée d'Art moderne de la Ville de Paris; Pavillon de l’esprit nouveau, Swiss Institute, New York (both 2015); Place of Dead Roads, screening with Felix Melia at Centre D’Art Contemporain, Geneva; '89plus marathon', Serpentine Galleries, London (2013).
Rebecca Lewin is exhibitions curator at Serpentine Galleries, London.
11th May, 7pmA conversation between Sidsel Meineche Hansen and Nils Norman
18th May, 8pm
Film screening selected by Alexandra Symons Sutcliffe
with further events to be announced
Old Operating Theatre and Herb Garrett
9a St Thomas Street, London, SE1 9RY
(The Old Operating Theatre is situated inside the Museum & Herb Garret)
Generously supported by The Elephant Trust, The Arts Council England and DBLA Ceilings