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CHARLIE SMITH london: JAMES JESSOP - Bomb Chaser - 3 June 2011 to 2 July 2011

Current Exhibition

3 June 2011 to 2 July 2011
Tuesday-Saturday 11am-5pm
2nd Floor
336 Old Street
United Kingdom
p: +44 020 7739 4055
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Jennifer Allen
Emma Bennett
Sam Jackson
Sarah McGinity
Alex Gene Morrison
Gavin Nolan
Dominic Shepherd
John Stark
Gavin Tremlett

Artists in this exhibition: James Jessop

Bomb Chaser

Private View | First Thursday
Thursday June 2nd 6.30pm–8.30pm
Exhibition Dates
Friday June 3rd – Saturday July 2nd 2011

CHARLIE SMITH london is pleased to announce James Jessop’s first one person show with the gallery. The exhibition will feature three large paintings, a salon wall of smaller works and Bomb Chaser, a new documentary that follows Jessop touring the Bronx to visit the locations that he paints with one of his 1970’s graffiti heroes Blade, and Martha Cooper, photographer for the seminal urban art book Subway Art (Thames & Hudson Ltd, London, 1984).

The title Bomb Chaser refers to Jessop’s life long love affair with graffiti. Like many others of his generation, Jessop was first turned onto graffiti by Henry Chalfant and Cooper’s afore mentioned Subway Art. Presented with the book for his birthday in 1986 Jessop never looked back. Initially making drawings from Subway Art he slowly learned the language of the street before taking in formal training at the Royal College of Art; solo shows in Copenhagen, Sao Paulo and London including at the now legendary Rockwell Project; group shows globally including The Saatchi Gallery’s New Blood; and adding the occasional bit of colour to city streets globally.

In this exhibition, 25 years later, Jessop has turned full circle and returned to the same source. Two monumental paintings derive from his visit to New York City. Jessop and Cooper found the location at St Ann St where she originally shot Midg 1983 passing over St. Ann Street, South Bronx and created a new set up for the 21st century. Using the original image from 1983 for one painting and then the new 2010 image for the other, we are treated to Midg’s whole car blaze in one and then the shiny clean surface of a modern New York subway train in the other. The war between the writers and New York’s authorities had been won and the result is a sanitised version of a once visually vibrant urban environment.

Technically Jessop combines the language of graffiti with those of fine art painting and spoof horror comics and B-movie posters. As well as drawing on painters such as Van Gogh and Peter Doig, the latter by whom he was taught at the RCA, Jessop under-paints using customised marker pens that have been adapted to make unique marks before filling in with acrylic and oil. These pens have been used, kept, repaired and refuelled in cities across the world including Barcelona, New York City, Rome, Turin, Sao Paulo and Montpellier. Painterly techniques and elements from historical painting are then transcribed into areas of his compositions along with appropriations of 1950’s pulp fiction. The result is an distinctive collision of rich visual idioms drawn from high, popular and underground cultures.

Please contact gallery for images and further information

Born: 1974 Education: 1997-1999:
MA in Fine Art Painting, Royal College of Art; 1992-1995:
BA (Hons) in Fine Art, Coventry University

Selected Solo Exhibitions: 2011 ‘Bomb Chaser’, CHARLIE SMITH london, London; 2010: 'Beauty and The Beast’, High Roller Society, London; 2009: ‘Uncanny Tales’, Galleri Tom Christoffersen, Copenhagen; 2008: ‘James Jessop’, Galeria Thomas Cohn, Sao Paulo; 2007: ‘Night of the Demon’, Sartorial Contemporary Art, London; 2006: ‘Subway Ghosts’, Sartorial Contemporary Art, London; 2005: ‘Warning the Monster is Loose’, Rockwell, London. Selected Two Person Exhibitions: 2005: ‘Fame', James Jessop & Stella Vine, This Way Up Gallery, London;
2004: ‘James Jessop & Jasper Joffe’, Rosy Wilde Gallery, London

Selected Group Exhibitions: 2010: ‘The Future Can Wait presents: Polemically Small’, Torrance Art Museum, Los Angeles; ‘The Threadneedle Prize for Painting and Sculpture’, Mall Galleries, London; ‘Demonology’ CHARLIE SMITH london; 2009: 'The Future Can Wait', Old Truman Brewery, London; ‘Animals, Contemporary Visions', Martin Arte Internationale, Turin; ‘Subway Art, 25th Edition Launch’, Black Rat Projects, London; 2006: ‘New London Kicks’, Wooster Projects, New York City; 2004: ‘New Blood’, The Saatchi Gallery, London; ‘Born, Cry, Eat, Shit, Fuck, Die’, Rockwell, London Collections: The Saatchi Gallery, London; David Lauren, New York; private collections in Brazil, Denmark & the United Kingdom

336 Old St, 2nd Floor, London, EC1V 9DR Contact
+44 (0)20 7739 4055

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