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MEG CRANSTON & JOHN BALDESSARI - Real Painting (for Aunt Cora)
 
Galerie Michael Janssen, Berlin
September 14 - October 30, 2013
 
Opening September 13, 6 - 9 p.m.
Real Painting (a sad doggie), 2013
Real Painting (a sad doggie), 2013
Acrylic and oil on canvas
106,7 x 91,4 cm / 42 x 36 in.
 
Galerie Michael Janssen is pleased to announce the exhibition Real Painting (for Aunt Cora) with a series of new works by American artists Meg Cranston and John Baldessari. Following the exhibition Keep it Simple. Keep it Fresh. at Michael Janssen Singapore in January 2013, Meg Cranston and John Baldessari collaborated in this new series to create paintings Baldessari formerly deemed impossible.
 
The text used in the paintings comes from a text written by Baldessari in 1961 to his Aunt Cora. It is an apology for not making the type of paintings his aunt would enjoy. In it, Baldessari states, he would like to make a painting of pink clouds, sage brush, washing on line, a bullfighter, sand dunes, a red farm house, a lady in gypsy costume, ducks by an old well, oaken buckets, a sad doggie, an eucalyptus tree with leaves that look real and highlights on raven-black hair. But, he said simply, "I can't".
Real Painting (red farm house), 2013
Real Painting (red farm house), 2013
Acrylic and oil on canvas
106,7 x 91,4 cm / 42 x 36 in.
 
The paintings have monochromatic backgrounds with gray text. The text is in Arial italic type hand painted. Meg Cranston determined the colors for the series drawing on her most recent work that reinvigorates color theory and investigates the business of color forecasting. She borrowed the colors determined by the Pantone Corporation for the women's fashion 2013 collections. “I have always been interested in why some colors seem to dominate at certain times. I have learned that the reason is that they are largely programmed – determined, if you will, by organized forces, namely the Pantone Corporation. Pantone releases a color forecast every season that most manufacturers follow to determine the colors of their products. I used the same colors because I wanted the paintings to be realistic – to reflect current conditions”, says Cranston.
 
Collaboration itself is a way for the two artists to achieve new solutions. For the exhibition they allowed the planes of text and color to work simultaneously in order to achieve a new and unanticipated resonance and profundity. The idea behind it was to use a 40-year-old text and update it by blending it within the context of color trends. “John and I are similar in the sense that we both like to work from a simple, almost neutral plan in the hopes of generating unexpected results. We both like to find ways to get beyond our own preferences and tastes so that we can generate something that we cannot anticipate. Paradoxically, for both of us, the lesson seems to be – the more neutral the plan the more surprising the result”, Cranston explains.
Real Painting (sage bush), 2013
Real Painting (sage bush), 2013
Acrylic and oil on canvas
106,7 x 91,4 cm / 42 x 36 in.
 
In her practice Cranston investigates the intersections between individual and shared experience and how imagery and objects acquire meaning in our culture. While oftentimes taking personal attributes or historical events as a jumping-off point, her work is ultimately concerned with the formal language of art and the role the artist plays in helping us see the world in new ways.
 
Since the 1960’s, the works of Baldessari have developed into one of the most pioneering oeuvres of contemporary art. By means of productive gaps between image and word, he focuses on the relationship between language and power. Visual jokes and plays on words are the means by which he disrupts the strict classification of sense and nonsense and sets in motion processes of critical thought with regard to society.
Real Painting (sand dunes), 2013
Real Painting (sand dunes), 2013
Acrylic and oil on canvas
106,7 x 91,4 cm / 42 x 36 in.
 
 
Meg Cranston: *1960 in Baldwin, NY. Lives and works in Venice, CA.
Selected exhibitions: 2014: Galerie Michael Janssen, Berlin (solo/upcoming). 2012: Made in L.A. (group). 2011: Municipal Art Gallery, Los Angeles (group). 2010: Gallery Brandstrup Oslo, Norway (group). 2009: Aachener Kunstverein, Aachen, Germany (solo). 2008: Getty Museum of Art, Los Angeles (group); Kuenstlerverein Malkasten, Duesseldorf, Germany (group). 2007: Artspace, Auckland, New Zealand (solo).
 
John Baldessari: *1931 in National City, CA. Lives and works in Santa Monica, CA.
Solo Exhibitions (selection): 2013: Michael Janssen Singapore. 2011: Australian Museum, Sydney and Stedelijk Museum Amsterdam. 2010: Fondazione Prada. Milan; Gemini G.E.L. Los Angeles, CA. 2009: Tate Modern, London, Museu d’Art Contemporani de Barcelona, Los Angeles County Museum of Art, Los Angeles, CA and Metropolitan Museum of Art, New York, NY; Fine Arts Museums of San Francisco; Museum Haus Lange. Krefeld, Germany.
Real Painting (washing on line), 2013
Real Painting (washing on line), 2013
Acrylic and oil on canvas
106,7 x 91,4 cm / 42 x 36 in.
 
 
GALERIE MICHAEL JANSSEN
Potsdamer Str. 63
10785 Berlin
Germany
 
T: +49 (0)30 259 272 50
F: +49 (0)30 259 272 518
 
 
 
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