Dagmar I. Glausnitzer-Smith
Page 1 | 2 | Biography
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Born: Braunschweig , Germany 1957
Lives: lives in Berlin works in London Berlin Jerxheim
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education
1983 Study of Art and Psychology in Miami, USA
1989 Study of Philosophy, Ludwig Maximilian Universit�t, M�nchen, Germany
1992 Foundation Course Art and Design, London, England
1997 Graduation from Goldsmiths� College, BA(Hons) Fine Art and Theoretical Studies
2000 Graduation from Royal College of Art, MA Sculpture
2002-03 PHD Thesis Proposal, Kingston University, London
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1990 solo show, Congress Hall Garmisch Patenkirchen, Germany, �Begegnung I,II�
1991 �Hinterhofausstellung�, M�nchen, Germany, Continuum II
1993 two persons show, Miami, Gallery North, �Europe in Transition: Prague and Munich�
1995 permanent site specific installation in the vaults of former bank building, Shoreditch, London,
� When the cow eats fish it looses its hair�
1996 erection of nine sculptures, Grosshadern Clinic, M�nchen, Germany
1997 site specific work �Multiple Personalities�, Spitalfields, London
1999 performance work �Moodswings�, Morley Gallery, London
2009 Retrospective...carrying my bones to St ' Jerxheim
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1985 group show, Miami Dade Community College, USA
2000 group show Gallery Cite des Arts, Paris, �confluence�
2000 exhibition �Assembly�, East London, �confluence� and performance
2000 exhibition �Agglutinates of Pleasure� 291 Gallery London, performance �Playing in Workskin with Sikablock M450�
2001 performance and video � TAT. Workskin�, Rhythm Factory, East London
2001 performance �Mowing between St Paul�s and St James�, London
2001 group show �Arcadia in the City�, Marble Hill House, performance, photography and sculpture
2002 performance at Picker Gallery Kingston, London
�Any Assault against the borders of perception is going to seem rash at first�
2002 performance and installation at Picker Gallery Kingston, �Fate Room�
2003 exhibition as event � transit station London 2003 �, four event days at Picker Gallery London
2004 group exhibition �Querschnitt 17� Kreuzberg, Berlin
2005 exhibition as event �transit station Berlin 2005�, two days continuous Action in Art in Action, at Gebauer H�fe, Berlin
2005 Live Art Performance, EuroArtsfestival London, "morphing poles"
2006 exhibition as event �transit station Edinburgh 2006�, two days continuous Action in Art in Action, at Ocean Terminal, Edinburgh
2006 exhibition and live performance/T.a.T. and soundwork, Seven of Eglise and Eru ( Dagmar I. Glausnitzer and Alexander Rues), title: JB338, ZMF, Berlin
2006 Performance Art Lecturer at the 9th international Summer Academy, Dresden, exhibition and live performance, Seven of Eglise and Eru (Glausnitzer and Rues), title: JB 339 (vermeidbare St�rversuche)
2006 Open Day, Jerxheim-Bahnhof, international and regional artists, exhibition, action, music, workshop at kunstwirkstoff
2006 Live Performance, title: from the depot, Park der Sinne, Laatzen, Hannover
2007 Seven of Eglise and Eru Performance Art and Klangarbeit title: �Number JB 341 (Fusseln�sse)� Vesterf�lledvej 63, 1750 kbh v, Kopenhagen Gallery NLH space
2007 Live Performance, Eru and Seven of Eglise, title: number JB 343 (die Annahme),
Park der Sinne, Laatzen, Hannover
2007 Lecture as Performance,
'der Weihrauchh�ndler', for Salim Alafenisch,
Gallery Bassgeige, Braunschweig
2008 Live Performance, Exhibition and Open studio,
Jerxheim Bahnhof Open Day III, kunstwirkstoff, Jerxheim
2008 Eru and Seven of Eglise
Live Performance and Soundwork
three events,
titles: Largesse, Bacchanal and Sui Generis
Alvar-Aalto-Kulturhaus, Wolfsburg
2008 Lecturer of Performance Art at 10. International Summeracademy Dresden, Exhibition and Live Performance, Seven of Eglise and Eru (Glausnitzer and Rues), title: t�tige Grenzfalle
2008 Live Performance, exhibition and open studio,
Jerxheim Bahnhof Open Day V, kunstwirkstoff, Jerxheim
2008 Eru and Seven of Eglise Live Performance and experimental soundwork,
Photon 3, Braunschweig, title: partiell durchl�ssig
2009 Performance Art Live and Soundwork, Eru and Seven of Eglise, Exhibition Zukunftsvisionen G�rlitz
2009 Exhibition, Installation and concept, new paintings at Geist und Gehirn, Wolfsburg
2009 Exhibition and Performance Art Live, Retrospective, Jerxheim Bahnhof
2009 T.a.T. Performance Art Workshop, kunstwirkstoff Jerxheim Bahnhof
2009 Jerxheim Bahnhof Open Day 5, kunstwirkstoff, Live Performance
2009 Reading as Performance II, H. Steinfest, Braunschweig
2009 T.a.T. Performance Art Workshop, Royal Danish Academy of Fine Art
2010 transitstation Copenhagen 2010, Exhibition as Event, two days continuous Action in Art in Action, Royal Danish Academy of Fine Arts
2010 Performance Art Live and Soundwork, Eru and Seven of Eglise, Zukunftsvisionen II, G�rlitz, Germany
2010 Kulturnacht Braunschweig Wiechmann Halle, Eru and Seven of Eglise Performance Live
2010 Performance Art Workshops and Jerxheim Bahnhof Open Day 6 and Live Performance, Exhibition, Open Studio at kunstwirkstoff
2010 Zugschauerschaft Exhibition at kunstwirkstoff
Performance Art Live and experimental soundwork is a collaboration of Eru (Alexander Rues) and Seven of Eglise (Dagmar I. Glausnitzer-Smith)
2011 Altonale Hamburg, Gallery BaustelleEins, Performance Art Live and experimental soundwork is a collaboration of Eru (Alexander Rues) and Seven of Eglise (Dagmar I. Glausnitzer-Smith)
2011 Kunst HierundJetzt, Open Studios Braunschweig and performance live, a collaboration by Eru (Alexander Rues) and Seven of Eglise (Dagmar I. Glausnitzer-Smith)
2011 Performance Art Live collaborating with Francesca Cho, Five Years Project, London
2011 Oct. External Examiner BA at Halle University of Art and Design, Germany
2012 Feb. External Examiner MA at Theatre Academy, Helsinki
2012 Feb. T.a.T. Performance Art Workshop, Theatre and Performance Academy, Helsinki
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Dagmar I. Glausnitzer-Smith graduated in London from the Royal College of Art in 2000 and from Goldsmiths' College in 1994. After her completion of a two year Picker Fellowship at Kingston University in 2003, she has returned to Germany organizing international T.a.T.(pure action) Performance Art Workshops (www.kunstwirkstoff.de), City site-specific 12-hour Performance Art Workshops called �Werktag� during study trips abroad and developing the international exhibition as event -transit station- (www.transitstation.de). London, Berlin, Edinburgh and planned Copenhagen 2010 in collaboration with the Royal Danish Academy. Thinking through the means of two-dimensional drawing prolongs the act of transformation in the process of making an object. It is the idea of placement and presentation, which involves first of all the recognition of a specific context. It is auto-fictional in process and immediate in pure action.
Exhibitions and Performances: USA, Germany, UK, France, Scotland, Denmark
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awards
1993 first prize Sculpture Award of Tower Hamlets
1994 third prize �Art and Accountancy�
1997 John Bataille Award �Outstanding Woman of Technology�
2001-02 Picker Research Fellowship Award, Kingston University, London
2002-03 extension of Picker Research Fellowship Award, Kingston University, London
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2006 transitstation Edinburgh Action in Art in Action, exhibition as event
2010 transitstation Copenhagen, exhibition as event
Transitstation, as a concept: transitstation is an ongoing, international exhibition and event featuring Performance Art, music, experimental electronica, physical theatre, poetry reading, film and projection, installation, interactive performance art, fashion and lectures, workshops and presentations. 40-70 international artists collaborate to create a two-day high energy event in changing to an international context. Their work is appealing to a wide audience and generates many creative opportunities. The demographic profile is 15 % children and teenagers, 25 % University students, 55% adults and local artists and 5 % pensioners. The event has been on tour through Europe since 2003. At the centre of the space is a scaffolding system, which against all expectations for a silent visit, seems to explode with non-stop action during the 24-hour weekend event. Artists choose with their individual genre of how to integrate the sculptural structure. Performers and visitors alike become part of the work, by occupying and experiencing the space and the actions held within it.
T.a.T. Performance Art Workshops in Germany, London, Berlin, Scandinavia
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http://www.artlurker.com/2008/06/writing-about-performance-art-part-1-the-mountain-in-my-room-by-dagmar-i-glausnitzer-smith/
Leben, Lieben, Leiden, Kerber Verlag, Exhibition Catalogue 2009/2010 Text for E.F�rster
Bahnhofstrasse 33, Art Photography Book, published Berlin October 2011
by Glausnitzer-Smith and Nico J�ckel ISBN 978-3-00-035199-0
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