Noah Simblist
Page 1 | Biography
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Born: 1974
Lives: Dallas, TX
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1999 University of Washington, Seattle WA MFA
1996 Hampshire College, Amherst, MA BA
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2007 The McKinney Avenue Contemporary, Dallas TX
2005 SOIL Gallery, Seattle, WA
Fine Arts Gallery, Kilgore College, Kilgore TX
Studio Gallery, Brookhaven College, Dallas, TX
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2006 And/Or Gallery, Dallas, TX, �Colorline Shapetexture�
Pigeon Stone Projects, Dallas, TX �Patternage: Pushing Pattern Beyond D�cor�
Commerce Street Artist�s Warehouse, Houston, TX, �Colorline Shapetexture�
Pollock Gallery, SMU, Dallas, TX �New, Newer, Newest�
2005 Templeton Art Center, Fort Worth, TX �Art in the Metroplex�
(juror: James Elaine, Hammer Projects Curator, UCLA Hammer Museum)
M5 Artists Collective, Chicago, IL �Pinewood Derby Invitational�
Gray Matters Gallery, Dallas, TX �New Work, New Year�
2004 Gray Matters Gallery, Dallas, TX �Small Things�
Tarrant County College, Arlington, TX �Pulse�
2003 Urban Institute for Contemporary Art, Grand Rapids, MI �Portal Spaces�
2002 Hampshire College, Amherst, MA �Faculty Show�
Garner Tullis, New York, NY
Creative Arts Workshop, New Haven, CT �Matter As Protagonist�
(juror: Jessica Stockholder, Dir. of Graduate Studies in Sculpture, Yale)
2001 103 Lexington, Brooklyn, NY �Open Studios�
Soil Gallery, Seattle, WA �Drawing: An Intimate Dialogue� (catalogue)
2000 Soil Gallery, Seattle, WA �As Yet Untitled��
Soil Gallery, Seattle, WA �Abstraction/Construction� (catalogue)
Pound Gallery, Seattle, WA �Home Alive�
Main Gallery, Hampshire College, Amherst MA �Non Satis Scire�
Henry Art Gallery, Seattle WA �East of Eden� (benefit)
1999 Bellevue Art Museum, Bellevue, WA �Northwest Annual� (juror: Jon Tupper, Director of Walter Phillips Gallery, Banff Center, Alberta)
Henry Art Gallery, Seattle, WA �Master of Fine Arts 1999�
1998 Phinney Center, Seattle, WA �Works on Paper�
Project 416, Seattle, WA �Found Objects�
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New American Paintings, Volume 54, 2004 (juror: Lynn Herbert, Curator, Contemporary Arts Museum Houston)
��Matter As Protagonist� or not, at Creative Arts Workshop� Judy Birke, New Haven Register June 23, 2002 p. E1
�When Humble Materials Interact�, William Zimmer, The New York Times, June 9, 2002 CT p11
�Abstract and Disunited� Emily Hall, The Stranger Oct. 26 2000 p. 65
�Rediscovering abstract art�s limitless possibilities� Marthew Kangas, The Seattle Times Oct. 13, 2000 p26
�Art Bio� (interview) The Stranger, Oct. 12, 2000 p.83
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2006 Jentel Artists Residency, Full Fellowship
SMU, University Research Council Grant (for travel and research in Israel)
SMU, Meadows Faculty Research Grant (for travel and research in Israel)
2005 SMU, Meadows Faculty Research Grant (for a suite of prints Flat Bed Press)
2004 SMU, University Research Council Grant (for travel and research in Italy)
SMU, Meadows Faculty Research Grant (for travel and research in Italy)
1997 Marsh Scholarship, University of Washington
1996 Gonzales Scholarship, University of Washington
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Catalogue Essay �Wild at Heart� for the Exhibition �Feral Nature� at UTD, Dallas, TX, August 2006
�Why Have There Been No Great Women Artists?� Glasstire.com May 2006
http://glasstire.com/FeaturesDetail.asp?id=150
Review of �Out of Site: An Altered Environment� Artlies Volume 49, Winter 2006
Review of �Scott Barber: A Retrospective�, Glasstire.com, March 2006
http://glasstire.com/ReviewsDetail.asp?id=224
�John Pomara: Painting in Continuum� Glasstire.com January, 2006
http://glasstire.com/features/Pomara.htm
Review of �Conspicuous Production: The First Two Years of the UTD/Southside Artist Residency�
Artlies, Volume 48, Fall 2005
Review of �Robert Bechtle: A Retrospective.� Artlies, Volume 47, Summer 2005
�Organizing Artists in a Post-Utopian World� Artlies, Vol. 47, Summer 2005
Review of �Gimmie Shelter at Conduit Gallery� Glasstire.com, August 2005
http://glasstire.com/reviews/dallas/Conduit_gimmieshelter.htm
�Organizing Artists in a Post-Utopian World� Zerodegrees, July, 2005
http://zerodegreesart.com/lonestar.php,
�The Dallas Museum of Art as Non-Site: An Astral Unfolding,� (parts 1 & 2), http://www.glasstire.com/features/TXmuseums_DMA1.htm, May, 2005
http://glasstire.com/features/TXmuseums_DMA2.htm, Sept. 2005
Review of �Demian LaPlante. Reciprocity at Gallery 414� Glasstire.com, Feb, 2005
http://glasstire.com/reviews/ftworth/gallery414_laplante.html
�Nicolas Africano: New Paintings and Sculpture.� The Red Headed Step Child, Nov 2000
�Our Human Frame, Our Gutted Mansion: Enrique Martinez Celaya� The Redheaded Step Child June 2000
�White Noise: Sean Vale�s Type� The Red Headed Step Child, May 2000
�Present Absence: Denzil Hurley� The Red Headed Step Child, April 2000
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