Martin Liebscher
Page 1 | Biography
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Martin Liebscher, Picasso, 2010 b/w Baryt Print 50 x 62 cm, Edition of 10
- Martin Liebscher, Picasso, 2010
b/w Baryt Print 50 x 62 cm, Edition of 10
- Lambdaprint, Aludibond, Diasec
30,5 x 30,5 cm, Edition of 10 ">Martin Liebscher, Icons (Elvis), 2010 Lambdaprint, Aludibond, Diasec 30,5 x 30,5 cm, Edition of 10
- Lambdaprint, Aludibond, Diasec
168 x 300 cm, Edition of 5 + I ">Martin Liebscher, La Scala, 2010 Lambdaprint, Aludibond, Diasec 168 x 300 cm, Edition of 5 + I
- Lambdaprint, Aludibond, Diasec
152 x 210 cm, Edition of 5 ">Martin Liebscher, Esslingen, 2010 Lambdaprint, Aludibond, Diasec 152 x 210 cm, Edition of 5
- Lambdaprint, Aludibond, Diasec
120 x 120 cm, Edition of 5 + I ">Martin Liebscher, MMK, 2003 Lambdaprint, Aludibond, Diasec 120 x 120 cm, Edition of 5 + I
- Lambdaprint, Aludibond, Diasec
120 x 200 cm, Edition of 5 + I ">Martin Liebscher, Liebscher Werke, 2009 Lambdaprint, Aludibond, Diasec 120 x 200 cm, Edition of 5 + I
- Lambdaprint, Aludibond, Diasec
120 x 440 cm, Edition of 5 + I ">Martin Liebscher, Venice (San Marco), 2010 Lambdaprint, Aludibond, Diasec 120 x 440 cm, Edition of 5 + I
- C-Print, Aludibond, Diasec
edition of 5, 175 x 275 cm ">Martin Liebscher, Opera (Lille), 2009 C-Print, Aludibond, Diasec edition of 5, 175 x 275 cm
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MARTIN LIEBSCHER 500000 Liebschers can�t be wrong...
New Photographic Works
September 2 - October 30, 2010 VOGES GALLERY, Frankfurt
In 1992 Martin Liebscher and five of his digital alter egos gathered in the artist�s modest kitchen in the Moselstrasse in Frankfurt, where he was then studying at the prestigious St�delschule. That image became the first example of the ongoing series, entitled "Familienbilder" (Family Photos), in which the artist reproduces himself ad infinitum within a given environment. Incidentally, it was also the first time the digital reproduction of the human form was used in a contemporary artwork.
Meanwhile there are literally thousands of Liebschers populating the world: cavorting at the seashore, working at the Stock Exchange, or seated in Operahouses. In these somewhat baroque vistas, which can easily take up to over six months to complete, the artist performs every possible function with a wit and verve bordering on maniacal; it is not vanity that pushes Liebscher to replicate himself, but rather desperation in that nobody else would have the patience. He is both principle actor, stand-in, extra and projection screen. While seemingly facile, the work addresses several philosophical themes from the loss of identity, to the diversity of the Self, to the question of Fate and whether we are restricted to a single course of action. His latest major piece "La Scala" was staged in the famous Opera House in Milan after almost 2 years preparation and will be premiered in this upcoming exhibition at VOGES GALLERY. It will conclude the series of Concert and Festival Halls, including Philharmonie (Berlin), Suntory Hall (Tokyo), Volksb�hne (Berlin) and the Opera in Lille.
Images: � Martin Liebscher, courtesy of VOGES GALLERY, Frankfurt
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Web Links
VOGES GALLERY, Frankfurt Martin Asb�k Gallery, Copenhagen
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