Berlin 00:00:00 London 00:00:00 New York 00:00:00 Chicago 00:00:00 Los Angeles 00:00:00 Shanghai 00:00:00
members login here
Region
Country / State
City
Genre
Artist
Exhibition

studio 1.1: 'Rear View Mirror' PAUL BUTLER and the Cable Street Mural - 15 Sept 2011 to 4 Oct 2011

Current Exhibition


15 Sept 2011 to 4 Oct 2011
open: Wed to Sun 12-6 pm
studio 1.1
57a Redchurch Street
Nearest tubes Liverpool/Old Street
E2 7DJ
London
United Kingdom
Europe
T: + 44 (0) 7952 986 696
F:
M:
W: www.studio1-1.co.uk











Web Links


studio 1.1

Artist Links


John Summers
David Ben White
Joy Episalla
Keran James
Cees Krijnen - Women in Divorce Battle



Artists in this exhibition: Paul Butler


'Rear View Mirror'

PAUL BUTLER

and the Cable Street Mural

October 4th this year marks the 75th anniversary of the Battle of Cable St, an iconic moment of solidarity in the active resistance to fascism. A planned march through a predominately Jewish Whitechapel by 3,000 Mosleyite Blackshirts, protected by a police force of 6,000, most of them mounted, was halted by a spontaneous gathering of something like 250,000. To celebrate this date studio1.1 is mounting a commemorative show featuring not so much the battle itself, but its continuing memorial, the mural painted in the early eighties on a wall beside Hawksmoor's church St George's Limehouse, round the corner from Shadwell tube.

This crossing-point of art and politics represented by the mural is something that has a very particular continuing force, and the fact that the mural has just undergone a complete restoration by Paul Butler, the only one of the original four artists still in London, gives the project particular impetus. Our show will open on the 15th September and run through to Tuesday October 4th, and will contain several of Paul's preliminary drawings as well as other documentary material.

What strikes us very strongly, since both of us were around in the eighties when the mural was being painted, is that even apparently politically-aware people - artists - under the age of 40 aren't aware of either the battle or even the mural. (The taken-for-granted status of this important genre of public art is a separate, also regrettable matter.) If this is a feature of the famous contemporary obliteration of historical memory, so much the worse, and we consider ourselves very lucky to be in a position to play even the smallest part in remedying this.

Whitechapel's extraordinary history of reception and ultimate integration of successive waves of refugees is something that would deserve to be remembered under any historical circumstances. There is something chilling about the fact that in the twenty-first century the word 'asylum-seeker' can be used as a knee-jerk term of abuse. It's important to remind ourselves of a day when a public and provocative manifestation of racism aroused such an overwhelming public reaction.

Strikingly, the history of the mural itself runs back through a similar history of confrontation and violence. Completed in 1983, it was another ten years before attacks by its politically motivated opponents finally ceased. And as the mural is restored we ask ourselves what remains - and what is lost in the rear-view mirror of history? Very few sketches still exist. The mural as it was planned was vandalised to the extent that what was finished is a different piece. The actions of vandals as well as of time and the weather mean that the mural itself is obliterated in the over-painting act of renewal. The mural in history and the history of the mural become blurred as the thing which commemorates the battle itself becomes the subject of further commemoration.

studio1.1 will be hosting two talks on the subject

at The Jewish Museum on the 26th October there will be a discussion with speakers including curator and writer Sacha Craddock, Corinna Till (Reclaim the Mural project).

and on the 27th October there will be a Conversation with Paul Butler at the Whitechapel Gallery

the exhibition is made possible by Keim Mineral Paints

"Keim Mineral Paints proudly sponsor the Battle of Cable Street, London commemorative exhibition on its 75th anniversary. This was a momentus occasion, an iconic moment and a major factor leading to the passing of the Public Order Act 1936. This was a time when community groups came into their own by standing up for their own rights," said David Pratt, Managing Director, Keim Mineral Paints.

"We are also pleased that Keim mineral paints are being used to restore the historic Cable Street mural, which is being brought back to its original condition by Paul Butler, one of the four artists who used Keim mineral paints back in 1982/83."


studio1.1
57a Redchurch St London E2 7DJ
tubes: Shoreditch High St/Liverpool St/Old St
bus: 8, 26, 35, 47, 48, 149, 344, 388
email: [email protected]
tel: 07952 986696
web: http://www.studio1-1.co.uk
open: Wednesday to Sunday 12-6 pm
or by appointment


SIGN UP FOR NEWSLETTERS
Follow on Twitter

Click on the map to search the directory

USA and Canada Central America South America Western Europe Eastern Europe Asia Australasia Middle East Africa
SIGN UP for ARTIST MEMBERSHIP SIGN UP for GALLERY MEMBERSHIP