Dave McKenzie �On Premises�
September 12 - October 24, 2009 Reception: Saturday, September 12, 6 - 8 pm
Susanne Vielmetter Los Angeles Projects is pleased to present a solo exhibition of new work by Dave McKenzie in the entire gallery space. In his videos, sculptures, performances, and installations, Dave McKenzie�s work explores how public space and the private self are connected and simultaneously restricted. At the heart of McKenzie�s diverse practice lies a quiet search for engagement, a poetic quest for interaction that lays bare the complications of social rules and obligations with which we navigate personal relationships.
In this new body of work McKenzie shifts from examining the specific relationship of the artist with his audience to a more fundamental investigation of the closest human relationships. A central work in the exhibition is a video entitled �Attunement� that plays out an alternate version of the pilot episode from The Cosby Show. While the central quote of this episode: "I brought you into this world, and I'll take you out!" garnered huge laughs, McKenzie looks at this statement in a larger cultural context that provides a much darker and threatening reading. The video looks at such powerful emotions as love and fear that are at the heart of our closest human relationships. Revealing connected issues of faith and obedience, of power and subjugation, it exposes the difficulty of our connections to the people around us.
Proposal (2007), a painting which is both a unique object and a multiple, proposes something else by uttering, �This painting is a proposal. I propose we meet once a year every year until one of us can�t or won�t.� The work is an offer of a meeting that can only take place by mutual agreement but can also only happen during the overlapping of two lives and as such there is no obvious hierarchy.
Dave McKenzie was born in Kingston, Jamaica, and attended the Skowhegan School of Painting and Sculpture in 2000. Recent solo exhibitions include �Screen Doors on Submarines�, REDCAT, Los Angeles; �Momentum 8: Dave McKenzie�, The Institute of Contemporary Art Boston, Boston; �Tomorrow will be Better�, Small A Projects, Portland; �Haven�t Seen You in a Minute�, Gallery 40000, Chicago; McKenzie�s work was included in �Prospect.1 New Orleans", and in group exhibitions at the RISD Museum, Providence; the New Museum, New York; the Indianapolis Museum of Art, Indianapolis, in �Black is, Black Ain�t�, The Renaissance Society at the University at the University of Chicago, Chicago; The Studio Museum in Harlem, New York; The Kitchen, New York, and at Brooklyn Museum of Art, Brooklyn. This is Dave McKenzie�s second solo exhibition at the gallery.
Susanne Vielmetter Los Angeles Projects is located at 5795 West Washington Blvd in Culver City, between Fairfax and La Cienega. Gallery Hours are Tuesday through Saturday from 11 am - 6 pm and by appointment.
DAVE MCKENZIE 1977 Born in Kingston, Jamaica Lives and works in Brooklyn, NY
Education 2000 Skowhegan School of Painting and Sculpture The University of the Arts, B.F.A in Printmaking
Solo Exhibitions 2009 �On Premises�, Susanne Vielmetter Los Angeles Projects, Culver City, CA 2008 �Screen Doors on Submarines�, REDCAT, Los Angeles, CA 2007 �Momentum 8: Dave McKenzie�, The Institute of Contemporary Art Boston, Boston, MA �Tomorrow will be Better�, Small A Projects, Portland, OR 2006 �Haven�t Seen You in a Minute�, Gallery 40000, Chicago, IL 2005 �Portrait as a Ghost�, Savage Art Resources, Portland, OR 2004 "Together is Forever", Susanne Vielmetter Los Angeles Projects, Culver City
Group Exhibitions 2009 �Unusual Behavior�, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA �Character Generator�, Eleven Rivington, New York, NY �Convention�, MOCA, North Miami, FL �To the left of the rising sun�, Small A Projects, New York �Collected. Propositions on the Permanent Collection�, The Studio Museum in Harlem, New York, NY 2008 �Prospect.1 New Orleans", International Biennial, curated by Dan Cameron, New Orleans, LA (catalogue) �This Shadow is a Bit of Ideology�, Gallery 400, University of Illinois, Chicago, IL, curated by Kelly Chen and Anthony Elms �As Others See Us: The Contemporary Portrait�, Brattleboro Museum and Art Center, Brattleboro, VT �Alternating Beats�, The RISD Museum, Providence, RI �Museum as Hub: Six Degrees�, New Museum, New York, NY (brochure) �Free Parking�, Boston Center for the Arts' Mills Gallery, Boston, MA �On Procession�, Indianapolis Museum of Art, Indianapolis, IN �Black is, Black Ain�t�, The Renaissance Society at the University of Chicago, Chicago, IL �Disinhibition: Black Art and Blue Humor�, Hyde Park Art Center, Chicago, IL �You & Me, SometimesI�, Lehmann Maupin, New York, NY �Good Doll Bad Doll�, Armory Center for the Arts, Pasadena, CA �A New High in Getting Low (NYC)�, John Connelly Presents, New York, NY �A Thousand Years of Sculpture�, Fleisher/Ollman Gallery, Philidelphia, PA �Working History: African American Art and Objects�, Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, OR (Catalogue) �Slightly Unbalanced�, Chicago Cultural Center, Chicago, IL, and traveling to: Huntington Museum of Art, Huntington WV, Paul and Lulu Hilliard University Art Museum, Lafayette, LA (Catalogue) 2007 �PERFORMA 07 Biennial: All Together Now�, The Studio Museum in Harlem, Harlem, NY (Catalogue) �Looking Back: The White Columns Annual�, selected by Clarissa Dalrymple, White Columns New York, NY �A New High in Getting Low�, Artnews Projects, Berlin, Germany �Just Kick it Till it Breaks�, The Kitchen, New York, NY, curated by Debra Singer and Matthew Lyons, (Catalogue) �Mr. President�, University Art Museum, University of Albany, Albany, NY (Catalogue) 2004 �Me, Myself, and I� Schnidt Center, Florida Atlantic University, Boca Raton, FL "Figuratively: Dave McKenzie, Wangechi Mutu, William Villalongo", The Studio Museum, Harlem, NY �Open House: Working in Brooklyn�, Brooklyn Museum of Art, Brooklyn, NY (catalog) "The Sneeze 80 x 80", Gazon Rouge Gallery, Athens, Greece 2003 �American Idyll�, Metrotech Center Commons, Brooklyn, NY. (Catalog) �24/7�, Contemporary Art Centre, Vilnius, Lithuania �In Practice�, Sculpture Center, Long Island City, NY 2002 �Videodrome II�, New Museum of Contemporary Art, New York, NY �Americas Remixed�, The Factory of the Vapor, Milan, Italy (catalog) �Queens International�, Queens Museum of Art, NY (catalog) �Listening to New Voices�, P.S.1 Contemporary Art Center, Long Island City, NY �Supervideonight�, Gale Gates, New York, NY �Slow Dive�, Yerba Buena Center for the Arts, San Francisco, CA �Video Marathon: Bringing up the (Mediated) Body�, Art in General, New York, NY �Multiplicity�, Midway Gallery, St. Paul, MN �Room for a Revolution�, Deluxe Gallery, Chicago, IL 2001 �Video Call�, ICA, University of Pennsylvania, Philadelphia, PA �Something/Nothing-Passport to the State of Flux�, Art in General, NY �Material World�, Susquehanna Art Museum/VanGo, Harrisburg, PA �Freestyle�, The Studio Museum in Harlem, New York, NY (Catalog) and traveled to Santa Monica Museum of Art, Santa Monica, CA �In/SITE/Out: Inquiries into Social Space�, Apexart, New York, NY
Bibliography 2009 �New York Artists Dictionary Part 1�, Flash Art, Volume 62, Number 264, January/February Ligon, Glenn, �Civic Engagement: To Miss New Orleans�, ArtForum, 47 no. 5, January Born, Katheryn, �This Shadow Is A Bit of Ideology�, Time Out Chicago, Issue 210, January 1-7 2008 MacCash, Doug. �Prospect.1 New Orleans artist Dave McKenzie practices inspired unproductiveness,� The Times-Picayune, November 14 Copeland, Huey, �The Blackness of Blackness�, ArtForum, October Foumberg, Jason. �Slightly Unbalanced,� Frieze, Issue 115, p. 171, May Weinberg, Lauren, �Black Comedy,� Time Out Chicago, Issue 164, April �Prospect.1 New Orleans�, Exhibition Catalogue, texts by Barbara Bleomink, Dan Cameron, Lolis Eric Elie, and Claire Tancons, Picturebox Inc., Brooklyn, NY, November McQuaid, Cate, �Humor Drives �Free Parking� exhibit�, The Boston Globe, October 15 �Just Kick it till it Breaks�, Exhibition Catalogue, The Kitchen �Goings on About Town�, The New Yorker, May 5 Farrugia, Mallory, �Art:Installation, Dave McKenzie�, Flavorpill, April Riggot, Julie, �The Season of the Idea�, Los Angeles Downtown News, April 28 Mizota, Sharon, �Dave McKenzie at REDCAT�, Los Angeles Times, April 18 Boucher, Brian, �Dave McKenzie, �All Together Now�, at or near the Studio Museum in Harlem�, Art In America, March Bowie, Chas, �Working History: African American Objects�, Portland Mercury, February 7 2007 Cotter, Holland, �Celebrating the Intangibles Money Can�t Buy�, The New York Times, December 23 Cotter, Holland, �Art is Brief, You Just Have To Be There�, The New York Times, November 9 Johnson, Ken, �Goldfish, Warhol, and basketball in a video riff on identity politics�, Boston Globe, August 10 Malone, Micah, �Dave McKenzie Portland, OR� Art Papers, May/June Cotter, Holland, �Art In Review�, The New York Times, April 13 2006 Moulton, Aaron, �40000�, Flash Art, p.72, May/June 2005 Ligon, Glenn, "Black Light", Artforum, pg. 248, September issue Dirks, Ryan, �Dave McKenzie, Portrait as a Ghost�, The Portland Mercury, Feb 3 2004 Weinberg, Michelle, �It�s All About Me�, Miami New Times, November 25 Mills, Michael, �Through a Fractured Lens�, New Times, November 18 Ligon, Glenn, �Black Light: David Hammons and the Poetics of Emptiness�, Art Forum, 43, no1, pp. 242-249, September Cotter, Holland, " 'Black' Comes in Many Shadings", New York Times, August 13 Furstenberg, Laurie, "Hit Me, Take Me, Wear Me, Fake me", "Figuratively" at the Studio Museum Harlem, exhibition brochure essay Laster, Paul, "Back-to-back At SMH - Interviews with Mickalene Thomas and Dave McKenzie", WBURG.com, Vol.4, No.2, Summer Brockington, Horace, "Extra Open: A conversation with Charlotta Kotik, Dread Scott, Bill Scan", NY Arts Magazine, July-August 2003 Ranger, Abby. � What�s Paul Bunyan Doing at Metrotech?� Brooklyn Eagle, September 26 2002 Heuer, Megan. "Queens International." The Brooklyn Rail, Autumn. Van Dyke, Aaron. �Multiplicity.� New Art Examiner, May-June. Knighton, Andrew. �An Expanding Pluriverse.� Object Magazine. 2001 Princenthal, Nancy. �Freestyle.� Artext, August-October. Knight, Christopher, " Cultural Evolution in 'Freestyle' ", Los Angeles Times, October 2. Valdez, Sarah. �Freestyling.� Art in America, September. Cotter, Holland. �A Full Studio Museum Show Starts With 28 Young Artists and a Shoehorn.�, The New York Times, May 11 Saltz, Jerry. �POST-BLACK Radical Intelligence at the Studio Museum in Harlem.�The Village Voice, May 22 Schjeldahl, Peter. �Breaking Away: A flowering of young African-American artists.� The New Yorker. June 11 Brockington, Horace. �Freestyle: Studio Museum in Harlem.� NY Arts Magazine, Vol. 6 No. 6 June 2000 Jones, Karen E., "Movements Against the Grain", Freestyle Catalog
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