In Gallery 1 NICHOLAS FRANK Reality, whatever that is
In Gallery 2 JOE HARDESTY
Opening Reception: Friday, November 20, 5 to 8pm Show Dates: November 20 - December 19 2009 Gallery Hours: Wednesday to Saturday, 11am to 6pm Gallery Talk by Joe Hardesty: Thursday, December 10th, 5:30pm
Western Exhibitions will open two new shows on Friday, November 20 with a public reception from 5 to 8pm. In Gallery 1, NICHOLAS FRANK will show two narratives in the form of paintings and framed book pages. In Gallery 2, JOE HARDESTY will show new text-based drawings developed during a year-long residency in Berlin. Joe Hardesty will deliver a gallery talk on Thursday, December 10 at 5:30pm. This, too, will be free and open to the public.
In Gallery 1 NICHOLAS FRANK
Nicholas Frank presents �Reality, whatever that is,� a show about narrative, and his larger interest in biography. Frank will modify Western Exhibitions primary gallery with a wall that bifurcates the space, as he will use half of Gallery 1 and all of Gallery 2 to present two sets of narratives, one in the form of paintings and the other in pages of his lifelong �Nicholas Frank Biography� project.
The �Nicholas Frank Biography� has been expressed as a museum-style exhibition (Milwaukee, 1998) and individual book pages (ongoing) detailing the history and historical significance of the output of the artist �Nicholas Frank.� In all cases, the �author� goes unnamed, presumed by its third-person perspective to be other than Nicholas Frank. Book pages are presented singularly, in frames or hand-bound, generally without benefit of before-page and after-page or before-chapter and after-chapter context.
The paintings in this show focus on narrative formation, depicting a sentence that can be read forwards or backwards, or recombined into different meanings, much like any other group of paintings one might encounter. Formally, the paintings draw upon Frank�s fascination with monochromes, Lucio Fontana and a general interest in the failure of pure states. Taken together, these five paintings explore subject/audience agreement, meaning-flow, anticipation and expectations, and reproduction of intent and experience, along with color, plasticity and objectness.
Nicholas Frank�s primary activities are art making, including visual art, stage-, recording-, radio- and television-based performance and writing; and multi-disciplinary art exhibition coordination, including curation, and facilitation of dialogue through symposia, lectures and publications. Secondary activities are commentating, essaying, critiquing and lecturing about art and Midwestern culture. Frank is currently the chief curator at the Institute of Visual Arts (Inova), in the Peck School of Arts at the University of Wisconsin-Milwaukee and a founding member of the Milwaukee International, which organizes miniature art fairs around the world. Frank has organized, jointly and solo, exhibitions at the Swiss Institute in New York City, the Green Gallery, Walker�s Point Center for the Arts and the Jody Monroe Gallery (all in Milwaukee) and The Pond in Chicago. He owned and directed the Hermetic Gallery in Milwaukee from 1994 to 2001. Frank has written for Sculpture, Art Papers, InterReview, Bridge, New Art Examiner and Milwaukee Journal-Sentinel. His work has been included in group shows at Small A Projects and Gavin Brown�s Enterprise-Passerby in New York City, Locust Projects in Miami, the Milwaukee Art Museum, Diverseworks in Houston, and the Soap Factory in Minneapolis. Solo shows include the Green Gallery (2008), Suitable (2004), Chicago Project Room (1996) and a forthcoming exhibition at The Poor Farm in northern Wisconsin (2010). This is Frank�s second solo show with Western Exhibitions. He will concurrently have a piece in �Picturing the Studio� in the Sullivan Galleries at the School of the Art Institute, curated by Michelle Grabner and Annika Marie, opening December 12. He lives and works in Milwaukee.
In Gallery 2 JOE HARDESTY Joe Hardesty uses text to describe what the viewer is experiencing � that is, he hand draws a series of sentences that depict an evocative scene. As such, his drawings inhabit a space somewhere between text, image and the mind�s eye. Seemingly simple, Hardesty�s drawings on paper address contradictory aspects of our cultural landscape. The themes and issues in his current body of work include, among other things, German landscape painting, animal husbandry, the disappearance of traditional agricultural practices in the face of corporate food production, neurological disorders, and Vikings. The drawings often include images that invoke trauma and elation. By focusing viewers� attention through the use of text, the drawings work both as a concrete reality created on the page and as a changing series of interpretations as each viewer �reads� the text differently. For this show, Hardesty will produce several large-scale drawings using graphite, and colored pencil. Together, the drawings develop a loose narrative for the show as a whole, endeavoring to articulate his personal feelings about living in the 21st century. The story might involve horses.
This is Joe Hardesty�s first solo show. He recently returned from a year-long stay in Berlin, Germany where he moved upon receiving the Gelman Travel Fellowship. In September, Hardesty was included in the group show �Access All Areas� curated by Arturo Herrera and Tanja Wagner at Galerie Max Hetzler in Berlin. His work has been seen in group exhibitions in Chicago at Western Exhibitions, Lloyd Dobler Gallery, devening projects + editions, and 40000. His drawings are included in the collections of the Fogg Art Museum at Harvard University and the Reed College Print, Drawing and Artist Book Collections. In January of 2010 his work will be included in an exhibition in Beijing, China. Hardesty received his MFA from the School of the Art Institute of Chicago in 2008 and as he has just returned from Berlin, he does not yet have a permanent residence.
