Biography: Christina McPhee in Re-title.com

Christina McPhee Page 1 \| 2 \| Biography \| Information & News
Born: Los Angeles Lives: San Francisco / central coast

Education MFA Boston University School for the Arts 1979, painting, student of Philip Guston BFA Kansas City Art Institute 1976, painting and printmaking, valedictorian Twelve Political Film Practices, Macmillan/Palgrave-Macmillan, US/UK, November 2009. I am a contributing author to Critical Digital Studies : A Reader, A and M Kroker, eds., University of Toronto Press, 2008. http://www.christinamcphee.net http://naxsmash.net http://vimeo.com/christinamcphee/videos http://youtube.com/slipstreamandromeda http://pharmakonlibrary.blogspot.com recent curated projects http://version.org/videos/show/1 http://turbulence.org/Works/plazaville/ selected theory/writing http://www.ctheory.net/articles.aspx?id=485 http://subtle.net/empyre http://magazines.documenta.de/frontend/index.php?IdMagazine=59 gallery representation http://www.silverman-gallery.com/artist/view/1615 http://silverman-gallery.com/artist/view/1615
Solo Exhibitions Cara and Cabezas Contemporary, Kansas City, Missouri March-May 2011 "tesserae of Venus," Silverman Gallery, San Francisco, October-November 2009 La Conchita N=Amour, 22 screen, 3 channel video installation, with custom scripting for Threshold Wave, Threshold Artspace, Horsecross. Commission for Threshold Wave. Curated by Illiyana Nedkova. Perth, Scotland, October 2007 - April 2008 Latency Structures: Bonneville Salt Flats, interactive video installation with remote and local latency delays, HD/SD with Max/MSP/Jitter processing and remote cam at Center for Land Use Interpretation, Wendover, Utah; with assistance from Scripps Institution Scientific Visualization Lab, La Jolla, California. Invitational exhibition, Split Film Festival, Croatia, September 15-22, 2007 Carrizo-Parkfield Diaries, solo exhibition, large format photomontage installation, HD/SD video installation, American University Museum-Katzen Art Center, Washington, DC, June 5 - July 29, 2007 2006 La Conchita mon amour, Sara Tecchia Roma New York, New York, October 19 to November 22, 2006, multimedia installation with two channel standard and hd video, digital print, drawing 2006 Carrizo-Parkfield Diaries, Cartes Centre for Art and Technology, Tapiola, Espoo, Finland 2005 Carrizo Quartet, Bildmuseet, Umea, Sweden 2005 Carrizo-Parkfield Diaries, Transport Gallery, Los Angeles 2003 Naxsmash, Kino/social space, Lounge\|lab, Deutsches Nationaltheatre, Weimar 2002 Smashlounge/Memoires of a Cyborg, Digital Studio, California Museum of Photography 2001 NAX: suite, Laumont Editions, New York City NAX: suite, Byron C. Cohen Gallery for Contemporary Art, Kansas City 2000 Quivira/Barrier Landscapes, Society for Contemporary Photography, Kansas City
Group Exhibitions "Domains/Parameters/Wanderings," Acadiana Center for the Arts, Lafayette, Louisiana, January -February 2011 Cinephemere, FIAC, Tuileries Gardens, Paris, October 2010 "OpenWater" SFMOMA/OpenRestaurant, Oakland/Alameda, 2010 OpenSpace Art Cologne/Vernissage.tv, Cologne, April 2010 "Hurricane Season," Issue Project Room, Brooklyn, September 2010 "Plazaville," with GH Hovagimyan, PACE Digital Gallery, Manhattan, NYC, April 2010 Bad Moon Rising, Boots Contemporary, Saint Louis, Missouri January 2009 War as a Way of LIfe, 18th Street Art Center, Santa Monica, California, September-October 2008 Bucharest Biennial 2008, curated by Jan-Erik Lindstrom and Johan Solstrom, May-June 2008 La Conchita N+Amour, HD installation, Intervene/Interrupt: Rethinking Art as Social Practice,, UC-Santa Cruz, May 2008 Carrizoprime, theatre premiere, First Sight Scene, LA Film Forum, Spielberg Theatre at the Egyptian, Los Angeles, January 27, 2008 The Space of Europe: Autonomy, photomontage drawing, participation in project created by Markus Miessen, The Violence of Participation, for the Lyon Biennial, September 17, 2007 - January 6, 2008 Rhodes Racer,video screening for program NY Exchange 2007, Amsterdam Film Experience, Het Ketelhuis, Westerpark, November 2-4, 2007 La Conchita N=Amour, three channel version, in group exhibition, Video Art in the Age of the Internet, curated by Nina Colosi and PAM (Perpetual Art Machine), Chelsea Art Museum, August 11 - September 7, 2007 -empyrean- -empyre-, video installation and display, Documenta Magazine Project, Documenta Halle installation, documenta 12, Kassel, Germany, summer 2007 Response Spectra, photomontage installation, curated by Raul Ferrera-Balanquet. Interactiva 07 Biennial of New Media Art, Merida, Mexico, June 15-July 15 2007 Rhodes Racer, Bonneville Salt Flats, invitational, FutureVisual, curated by Tullis Rennie, for FutureSonic Manchester Festival, Manchester, England, May 8-12, 2007 Liste Koln Art Fair, Sara Tecchia Roma New York, April 18-22, 2007 SALT, SilkyVRML422, screening, Noise: In Language, Culture, Body, and Nature, curated by Marcus Bastos, Itaï¿½ Cultural Centre, Bela Horizonte, Brazil, April 2007 Glasgow City, interpretive photomontage installation, commission, Barclays Wealth, Glasgow, Scotland, installation June 2007
Bibliography ï¿½Is Modernity our Antiquity?ï¿½ -empyre- soft-skinned space (listserv for digital media arts and culture, Sydney, Australia) in collaboration with Documenta 12 magazine project. (forthcoming December 2006). Curated, moderated, and edited by Christina McPhee. With guests Christophe Bruno (FR), Christiane Paul (US), Dirk Vekemans (BE). Eric Kluitenberg (NL), and international -empyre- lists readers. ï¿½What is Bare Life?ï¿½-empyre- soft-skinned space (listserv for digital media arts and culture, Sydney, Australia) in collaboration with Documenta 12 magazine project. (forthcoming February 2007). Curated, moderated, and edited by Christina McPhee. With guests Michelle White (US), Connor McGarrigle (IR), Tina Gonsalves (AU), Susan Mendes Silva (PT), GH Hovagimyan (US), and Jordan Crandall (US), and international-empyre- lists readers. Christina McPhee in conversation with Amy Wiley, ï¿½La Conchita and Bare Life,ï¿½ on La Conchita mon Amour , traumatic memory and landscapes of bare life, after Agamben, for VIROSE issue #5, Locative Media, edited by Miguel Leal, http://virose.pt , August 2006 Ryan Griffis, Christina McPhee, artUS, issue 9, July-September, 2005 Hiya Swanhuyser, The Opera of Jurassic Technology, SF Weekly, September 7-15, 2005 John Haber, Fault-finding I : Christina McPheeï¿½s Digital Landscapes, http://www.haberarts.com/cyborg.htm, 2005 John Haber, Fault-finding II : Christina McPheeï¿½s Digital Landscapes, http://www.haberarts.com/cyborg2.htm 2005 Mark Gordon, Interview with Christina McPhee, Center Stage with Mark Gordon, KXLU-FM, Los Angeles, March 1, 2005 Holly Willis, Carrizo-Parkfield Diaries, Signal to Noise, LA Weekly, March 4-10, 2005 Agnese Benassi, Carrizo-Parkfield Diaries: Notes from the Underground, Noema, http://www.noemalab.org/, Italy, March 2005 catalog, Groundworks: Environmental Collaboration in Contemporary Art, with essays by new media curator Patrick Deegan and chief curator Grant Kester, Regina Gouger Miller Gallery, Carnegie Mellon University, 2005 Christina McPhee, ï¿½Slipstreaming the Cyborg,ï¿½ interview with Francesca de Nicola, CTHEORY, http://www.ctheory.net/text_file.asp?pick=453, Victoria, BC, online opening May 6, 2005 ï¿½Letter to NAR: Christina McPhee responds to...Raul Ferrera-Balanquetï¿½, http://www.netartreview.net/logs/031505.html ï¿½Aphasia and Parrhesiaï¿½ in Aphasia and the Arts, , January 2005, edited by Ravi Shankar, New York ï¿½Net Baroqueï¿½, in Life in the Wires: The CTHEORY Reader, edited by Marilouise and Arthur Kroker, Victoria, BC: CTheory Books NWP, 2004. ISBN 0-920393-21-7 http://www.lifeinthewires.net ï¿½Towards a Telemimetic Sublime in the Data Landscapeï¿½, in Big Data, essays curated by Brett Stalbaum, for SCALE, vol.1, issue 6+7, edited by Mike Podolak, http://scale.ucsd.edu/volumes/2004/07/index.php, La Jolla: University of California-San Diego, 2004 ï¿½Sense of Place and Sonic Topologies: Towards a Telemimetic Sublime in the Data Landscapeï¿½, San Francisco: YLEM Journal, volume 24, number 6, May-June 2004 http://www.ylem.org/Journal/2004Iss06vol24.pdf Christina McPhee, ï¿½Aphasia/Parrhesia: Code and Speech in the Neural Topographies of the Net,ï¿½ at neural.it, Italian magazine of digital culture, in print and online, edited by Allessandro Ludovico, Bari, Italia, www.neural.it/english/aphasiaparrhesia.htm,fall 2002 ï¿½Dark Space, Black Box, Dream Body: The Sense of Place in New Media Installation,ï¿½ and ï¿½Architecture of the Invisible: Naxsmash,ï¿½ www.arch.virose.pt, Terry Hargrave and Christina McPhee, ï¿½Tactical Space and the Poetics of Hyperrrealilty in Architecture: Naxsmash,ï¿½ Imagining Realms/Remaking Worlds: Proceedings of the 2002 Western Region ACSA Conference, Association of Collegiate Schools of Architecture, November 2002 Sonicpersephone, in FILE, catalog (print) edited by Ricardo Barreto and Paula Perissinoto, Paco das Artes, Sao Paulo, Brazil, 2002 GH Hovagimyan, ï¿½Interview with Christina McPheeï¿½ ArtDirt Redux. online http://spaghtti.nujus.net/artDirt/archives/2006_03.html John Stanley, ï¿½Quake, Rattle and Roll on the Screen,ï¿½San Francisco Chronicle, April 2, 2006 Ryan Griffis, ï¿½Christina McPhee,ï¿½ ArtUS, July-September 2005 http://www.yougenics.net/griffis/mcphee.php, http://www.artext.org/backissues/artUS_9-contents.html John Haber, ï¿½Christina McPheeï¿½s Digital Landscape,ï¿½ www.haberarts.com/cyborg2.htm 2005 Holly Willis, ï¿½Carrizo-Parkfield Diaries,ï¿½ Signal to Noise, LA Weekly, Los Angeles, March 4-10, 2005, p. 64 Mark Gordon, ï¿½Christina McPhee,ï¿½ radio interview, Centerstage, KXLU, Los Angeles, March 1, 2005 ï¿½Christina McPheeï¿½, Mind Candy, LA Alternative Weekly, Los Angeles, April 16, 2005 Agnese Benassi, ï¿½Carrizo-Parkfield Diaries: Notes from the Underground,ï¿½ Noema, online at http://www.noemalab.org/sections/gallery/carrizo_parkfield_diaries/diaries_2.html, Italy, March 2005 Ryan Griffis, ï¿½Tragic Travelogue: A Consideration Around Christina McPheeï¿½s ï¿½Carrizo-Parkfield Diaries,ï¿½ Rhizome Digest,New York, April 19, 2005, http://rhizome.org/thread.rhiz?thread=17056&text;=32511#3251 Carol Sill, ï¿½Extreme Medicine, Intimate Abstractions: Constructing Digitalis 2,: HIVE: Canadian Art Music Culture, issue 00, 2003 http://www.ddas.ca/DigitalisExtremeMedicine.pdf ï¿½ Interview: Christina McPhee, with Stanza,ï¿½ Soundtoys Journal, London, http://www.soundtoys.net/a/journal/index.html, February 2002
Grants/Awards Turbulence Commission, New York 2010 THresholds New Media Commission, Scotland 2008-9 American Scandinavian Foundation 2006 Visiting Artist, HUMlab, Universitat Umea, Sweden, 2005 Experimental Television Center, New York, 2005 Interactive Media, Falmouth College of Arts, Cornwall, UK 2004 backup festival/lounge\|lab residency, Bauhaus-Universitat Weimar, Germany 2003 Media and Visual Arts, residency, Banff Centre for the Arts, Alberta 1999 State Foundation for Culture and the Arts, Hawaii 1999
Projects pharmakon library / proposal Sharjah Biennial 2009 flaming debt tesserae of venus salton station slipstreamkonza carrizo-parkfield diaries la conchita mon amour for details see http://christinamcphee.net
Publications ï¿½Processual Editing and -empyre- soft-skinned space,ï¿½ for MagNet Reader 3, edited by Nat Muller and Alessandro Ludovico, forthcoming in print 2008 ï¿½Slipstreaming the Cyborg,ï¿½ in Digital Critical Theory, edited by Arthur and Marilouise Kroker, Toronto: University of Toronto Press, forthcoming 2008 ï¿½The Space of Europe: Autonomyï¿½, in The Violence of Participation, edited by Markus Miessen, Berlin and New York: Sternberg Press, December 2007 ISBN 978-1-933128-34-4 ï¿½ ï¿½Bare LIfeï¿½ and the Traumatic Landscape,ï¿½ documenta 12 Magazine Project online journal, 2007 ï¿½Bare Life as Editorial Subject: on ï¿½bare lifeï¿½ in the network -empyre- soft-skinned space, documenta 12 Magazine Project online journal, 2007 ï¿½Is modernity our antiquity?ï¿½, Christina McPhee, moderator/editor, -empyre- discussion, hypertext, documenta 12 Magazine Project online journal, 2007, conversation conducted in March 2006. With Christiane Paul, Christophe Bruno, Dirk Vekemans, and Erik Kluitenberg. ï¿½what is bare life?ï¿½ Christina McPhee, moderator/editor, -empyre- discussion, hypertext, documenta 12 Magazine Project online journal, 2007. Conversation conducted in July 2006. With GH Hovagimyan, Michele White, Conor McGarrigle, Jordan Crandall,Tina Gonsalves, and Susan Mendes Silva. ï¿½what is to be done? (education), Christina McPhee, moderator/editor, -empyre- discussion, hypertext, documenta 12 Magazine Project online journal, 2007. Conversation conducted in January 2007. With Ricardo Rosas, Melinda Rackham, Sharon Daniel, Chris Molinski, Claudia Reiche, Ollivier Dyens, Iliyana Nedkova, and Christiane Robbins. ï¿½ ï¿½Bare LIfeï¿½ and the Traumatic Landscape,ï¿½ virose.pt, July 2006 ï¿½Aphasia Parrhesia: Code and Speech in the Neural Topologies of the Net,ï¿½ Drunkenboat 7, edited by Ravi Shankar, Spring 2005 ï¿½Net Baroque,ï¿½ in Life in the WIres, a CTHEORY Reader, edited by Arthur and Marilouise Kroker, Pacific Center for Technology and Culture, Victoria: New World Perspectives Books (August 2004) ISBN 10 0920393217 ISBN-13: 978-0920393215 ï¿½Sense of Place and Sonic Topologies: Towards a Telemimetic Sublime in the Data Landscapeï¿½, San Francisco: YLEM Journal, volume 24, number 6, May-June 2004

Click on the map to search the regions

Design © re-title.com - Cloud Hosting by Hyve - Terms And Conditions - Artists - Exhibitors - Archive - Contact re-title.com